The 1925 Arcturus Expedition’s Women Staff

This entry is post 6 of 21 in the ongoing series Isabel Cooper

The picture below is a press photo from July 1925 showing the five women scientists and artists who staffed the Arcturus Expedition led by William Beebe, February to July 1925. My grandmother, Isabel Cooper, is at the right.

Marie P. Fish, Ruth Rose, Helen Tee Van, Lillian Segal, and Isabel Cooper, July 1925, upon their return from a six-month scientific expedition on the S S Arcturus to the Sargasso Sea, Panama, and the Galapagos Islands. They are holding a stuffed albatross

More about the five women
A lot more about Isabel Cooper may be found found here. More about each of Isabel’s Arcturus colleagues is in this post from a few years ago. Also, each of the five has an Wikipedia entry. Isabel’s is here.

The S S Arcturus and the expedition

The wooden steam yacht S S Arcturus, fitted out for oceanographic study, left New York on February 10, 1925 and sailed into the Atlantic Ocean. It found its way to the mid-ocean Sargasso Sea where explorer and naturalist William Beebe (1877-1962) and his staff sampled water and sea creatures at various depths.

Gear on the ship could sample as deep as three miles. Doing so meant spooling out a half-inch cable from where it was wound in drums for three hours. It took three more hours to bring up the sample. The women artists and ichthyologists aboard set to analyzing and illustrating the samples immediately. Here is a post on Isabel Cooper’s work as a ship-board scientific illustrator on the Arcturus Expedition.

The ship discovered some of the first (very) deep sea fish species. One of the reasons to have artists along was that color photography had not yet been perfected, and fish could change in color, shape, and condition once brought out of the water, an issue particularly for fish evolved to live at extreme deep-sea atmospheric pressures. So the artists painted and drew them immediately on the ship.

The expedition continued to Panama, and passed through the Panama Canal, sailing into the Pacific Ocean to the Galapagos Islands for further exploration. It returned to New York City at the end of July 1925.

Why all the women?

William Beebe in 1925

William Beebe favored hiring women for his tropical research stations and ship expeditions. My grandmother, Isabel Cooper, worked for him in the late 1910s through much of the 1920s.

Hiring women and recognizing them for their professional expertise was not typical then. I’ve often wondered why Beebe not only hired women, but seemed to prefer to do so. It’s hard to avoid wondering whether Beebe also had a romantic interest in some of the women.

I’ve posted before on Beebe and the women he employed in this post: “I let too many girl pictures get by me”. But I think there is more to explore.

Prior to the Arcturus Expedition, William Beebe gave an above-board reason to employ women staff. He noted that he “preferred working with women and that ‘If it were feasible I would have my entire scientific party made up of them…Fine minds are as necessary in modern research exploration as fine courage. It is easier to find fine women than fine men.’” 1)From: Cohen, Gene (November 21, 1924). “Women plan to chart ‘port of missing ships’ and to strip Sargasso Sea of its secrets”. Americus Times-Recorder. (Americus, Ga.) . He wrote another time that it was what was “above the ears” that mattered; knowledge, intelligence, and judgment.

It’s likely he first saw the professional competence of women through his collaborations with his first wife, Mary Blair Rice. They collaborated closely in studying pheasants and publishing treatises on birds.

For Beebe, the women collaborators at his first research outpost in Kalacoon, British Guiana (now Guyana) strengthened his perspective on women as colleagues. He recruited more women colleagues as he grew his work exploring nature with research stations in South America, and ship expeditions.

By the time he was planning the Arcturus Expedition, he had found a number of leading-edge experts in fish and other wildlife, and in the artistic illustration of animals. Most of them were women.

Were there affairs among the staff?

That Beebe later had an affair with an expedition colleague (while he was married) suggests that affairs among these colleagues happened. But like my father, Isabel Cooper’s son, before me, I am left without a conclusion about whether Beebe and my grandmother ever had one.

The men and women of Beebe’s staff were young, educated, progressive, modern people. There could have been and almost certainly were multiple shipboard affairs and romances on Beebe’s expeditions. And they didn’t have to just involve Beebe.

What matters most is that throughout Beebe’s years of research and exploration, women contributed centrally to his work and were vital to the expeditions’ success. Nothing that happened socially on his expeditions should in any way reduce what happened scientifically and professionally. In other words, if there were affairs, good for them.

References[+]

“Dad, can I get a monkey?”

This entry is post 15 of 21 in the ongoing series Isabel Cooper

“Dad, can I get a monkey?”
“Why not?”
“Monkeys are awesome!”
“It could be my service animal”

Versions of this echo in homes everywhere. And Dad or Mom keeps saying no.

But in our house, there was a hitch. On our living room wall are watercolor portraits of two monkeys done by Isabel Cooper, my grandmother, both from her visits as a scientific artist to British Guiana. One is a marmoset, named Sadie Volvisch, painted in 1921. The other is a spider Monkey, named Mishkin, painted in 1922. Russia, or maybe immigrant New York City, was the go to place for pet monkey names for the New York Zoological Society’s Department of Tropical Research staff.

Mishkin, by Isabel Cooper

Sadie Volvisch, by Isabel Cooper

My son didn’t just ask for a monkey once, it became a refrain. At some point he started, when he said it, to glance over at the pictures. And in a moment of failed parenting, I mentioned, “your great grandmother had monkeys, those are some of them.”

Sinbad, by Isabel Cooper
Sinbad, by Isabel Cooper

Monkeys entertained Isabel and her colleagues in the jungle camps of the New York Zoological Society’s Department of Tropical Research, and on the ships they sailed on. One, Sinbad (sometimes spelled Sindbad), was especially a star.  He was a black spider monkey, acquired in Panama by the 1923 Harrison Williams Expedition to the Galapagos. William Beebe bought Sinbad in the streets of Panama, where he had found the monkey being mistreated by locals. Sinbad proved to be affectionate, smart, inquisitive, and fun-loving. He was the first monkey that she ever knew that laughed, wrote the expedition historian Ruth Rose.i

William Beebe also bought Chiriqui, a cebus or capuchin monkey–the type used by organ grinders, when the 1925 Arcturus expedition visited Panama on its exploration of the Galapagos.

And it turns out that Isabel kept a monkey, a red spider monkey, possibly Mishkin, pictured above, in her New York City apartment. This was likely when she lived at 136 West 65th Street, now the site of Lincoln Center.

Isabel Cooper with Sinbad
Isabel Cooper with Sinbad

But her spider monkey proved a bad fit as a house pet. Before long, Isabel’s apartment house neighbors complained about the “fog horn” they were hearing. It was the monkey, and it was late at night. She had to evict him to go live at the Bronx Zoo. I like imagining Isabel stepping out on Columbus Avenue and hailing a cab, the monkey at her shoulder.

I’ve tried to be clear on this last point my son, but I don’t think he’s convinced a monkey can’t be a good pet. His great grandmother had monkeys, and besides, monkeys are awesome!

__________________

i Ruth Rose, quoting a book by William Beebe, Bulletin of the New York Zoological Society, Vol. 27, No. 1, January 1924.

“I let too many girl pictures get by me”

This entry is post 5 of 21 in the ongoing series Isabel Cooper

Rising to a crescendo with the Arcturus Expedition in 1925, press stories spilled out about the women naturalist William Beebe had with him on his Department of Tropical Research expeditions. George Palmer Putnam, who headed the Putnam publishing company, led in driving publicity for Beebe, and he was good at it. He was married to a strong, independent woman himself, and later promoted, and then also married Amelia Earhart. Both men recognized the value and potential of women.

Beebe women staff 072124 B Daily Eagle
Brooklyn Daily Eagle, July 21, 1924

The wrong kind of publicity?

In early 1925, the publicity for Beebe may have gone too far, making his work look less than scientific. One researcher, Gary Kroll, interpreted exchanges between Beebe and Putnam as showing Beebe was upset, or at least that George Putnam thought so:

“The extent to which Beebe made [the Arcturus sensationalism] an issue is unclear. Beyond doubt, however, was Putnam’s almost paranoid perception of Beebe’s concern. As the Arcturus neared home, Putnam sent a telling letter to Beebe that describes to what lengths the two might have gone to preserve the professional representation of the expedition.”

‘You are tremendously nice in your attitude towards me in this whole matter and I appreciate it. I know perfectly well that often I blunder and do things which don’t altogether please you. But in the long run I think you are in reasonably good hands. In the first place, I grant that I let too many girl pictures get by me in that first batch and I know you didn’t like it. Anyway, henceforward the feminine element has been soft-pedaled satisfactorily. Perhaps we will smuggle say Dorothy and David and one girl ashore in the tug. If that does not prove practicable I think a stern order should go out from you, the commander, that the women are to be as little in evidence as possible at the landing. Certainly that none of them is to talk beyond the absolute necessities. The girls should say to the reporters ‘Dr. Beebe will give out all the information.’ And then poor Dr. Beebe, whether he wants to or not, will have to calmly take half an hour and sit down with the reporters and answer every damn question they want to ask. You may as well face the realization of that necessity. And then the young ladies can all disburse in their several directions and we will all be there to cooperate in soft pedaling them as much as can be. Not that there is anything reprehensible in it, but that from your standpoint is wisdom.’i

Gary Kroll took this letter at face value, but it looks more like Putnam was exaggerating, or having a bit of fun. Most signs in Beebe’s actions and further publicity and publishing show that he not only held high the accomplishments of his women’s staff, he celebrated them, with exhibitions of Cooper’s art, and chapters in his books by Ruth Rose. They did not sneak the women (and the boy, David Putnam) ashore.

i Gary Kroll, Exploration in the Mare Incognita: Natural History and Conservation in Early-Twentieth Century America, PhD. dissertation, University of Oklahoma, Norman Oklahoma, 2000, p. 212.

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